{"id":27920,"date":"2022-02-28T07:00:14","date_gmt":"2022-02-28T12:00:14","guid":{"rendered":"https:\/\/www.raytownproductions.com\/blog\/?p=27920"},"modified":"2024-02-20T20:52:17","modified_gmt":"2024-02-21T01:52:17","slug":"96-khz-vs-48-khz-vs-44-khz-best-sample-rate-for-audio","status":"publish","type":"post","link":"https:\/\/www.raytownproductions.com\/blog\/96-khz-vs-48-khz-vs-44-khz-best-sample-rate-for-audio\/","title":{"rendered":"96 kHz vs 48 kHz vs 44 kHz &#8211; Best Sample Rate for Audio?"},"content":{"rendered":"<h1>What is (really) the Best Sample Rate for Making Music in a Home Studio?<\/h1>\n<p>Are we missing out by not recording our music at really high sample rates like 96 kHz or 192 kHz?<\/p>\n<p>Gear manufacturers make us think that we need the most power gear and highest sample rates to &#8220;unlock&#8221; pro sounding home studio recordings&#8230;. but is this really true? Can we actually benefit sonically from recording at these really high sample rates? Is recording at higher sample rates what separates a pro recording from an amateur one?<\/p>\n<p><strong>All these answers and more are below &#8211; and if you don&#8217;t want to read, jump down to the video!<\/strong><\/p>\n<h1>What is Sample Rate?<\/h1>\n<p>Let\u2019s start by talking about what sample rate is:<\/p>\n<p>Sample rate is the number of times we \u201csample\u201d a continuous soundwave per second. The standard for audio is 44.1 kHz sample rate, which means 44,100 samples are measured for every second of audio being recorded. And when I say measured, all I mean is that we will record what the amplitude is for the audio signal.<\/p>\n<h1>Common Misconceptions About Sample Rate and Audio<\/h1>\n<p>Now there are so many misconceptions about sample rates being \u201cbetter\u201d or producing more accurate sound, but those are largely false. A 44.1 khz and 96 khz sample rate file will accurately capture all the frequencies that us humans can hear which is from about 20 &#8211; 20khz. You might think that if we can sample the audio waves at more spots, that we would be able to reconstruct the waveform better in this hearing range\u2026. But that isn\u2019t true at all. Not one bit.<\/p>\n<p>This is because of something called the Shannon Nyquist theorem, which tells us that we can PERFECTLY &#8211; yep, perfectly reconstruct any band limited audio signal as long as we sample the audio greater than 2X the highest frequency. So if you want to perfectly reconstruct a 20 khz sine wave, you need to sample it greater than 40 khz. The math is pretty intense and completely beyond the scope of this video.<\/p>\n<p>In more nerdy terms, anytime we sample audio greater than twice the highest frequency, there is only one unique solution to connect all the data points together.<\/p>\n<div class=\"et_bloom_inline_form et_bloom_optin et_bloom_make_form_visible et_bloom_optin_10\" style=\"display: none;\" data-success_action_details=\"redirect_url|https:\/\/www.raytownproductions.com\/blog\/thank-you\/\">\n\t\t\t\t<style type=\"text\/css\">.et_bloom .et_bloom_optin_10 .et_bloom_form_content { background-color: #eaeaea !important; } .et_bloom .et_bloom_optin_10 .et_bloom_form_container .et_bloom_form_header { background-color: #ffffff !important; } .et_bloom .et_bloom_optin_10.et_bloom_optin .et_bloom_border_letter { background: repeating-linear-gradient( 135deg, #b2b2b2, #b2b2b2 10px, #fff 10px, #fff 20px, #f84d3b 20px, #f84d3b 30px, #fff 30px, #fff 40px ) !important; } .et_bloom .et_bloom_optin_10 .et_bloom_form_container h2, .et_bloom .et_bloom_optin_10 .et_bloom_form_container h2 span, .et_bloom .et_bloom_optin_10 .et_bloom_form_container h2 strong { font-family: \"Open Sans\", Helvetica, Arial, Lucida, sans-serif; }.et_bloom .et_bloom_optin_10 .et_bloom_form_container p, .et_bloom .et_bloom_optin_10 .et_bloom_form_container p span, .et_bloom .et_bloom_optin_10 .et_bloom_form_container p strong, .et_bloom .et_bloom_optin_10 .et_bloom_form_container form input, .et_bloom .et_bloom_optin_10 .et_bloom_form_container form button span { font-family: \"Open Sans\", Helvetica, Arial, Lucida, sans-serif; } <\/style>\n\t\t\t\t<div class=\"et_bloom_form_container  et_bloom_border_letter et_bloom_rounded et_bloom_form_text_dark et_bloom_form_bottom et_bloom_inline_1_field et_bloom_success_action\">\n\t\t\t\t\t\n\t\t\t<div class=\"et_bloom_form_container_wrapper clearfix\">\n\t\t\t\t<div class=\"et_bloom_header_outer\">\n\t\t\t\t\t<div class=\"et_bloom_form_header split et_bloom_header_text_light\">\n\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"610\" height=\"562\" src=\"https:\/\/www.raytownproductions.com\/blog\/wp-content\/uploads\/2021\/02\/Free-Plugins-Book-Mock-Up-610x562.jpg\" class=\" et_bloom_image_slideup et_bloom_image\" alt=\"Best FREE Mixing Mastering Plugins - Raytown Productions\" srcset=\"https:\/\/www.raytownproductions.com\/blog\/wp-content\/uploads\/2021\/02\/Free-Plugins-Book-Mock-Up-610x562.jpg 610w, https:\/\/www.raytownproductions.com\/blog\/wp-content\/uploads\/2021\/02\/Free-Plugins-Book-Mock-Up-600x553.jpg 600w, https:\/\/www.raytownproductions.com\/blog\/wp-content\/uploads\/2021\/02\/Free-Plugins-Book-Mock-Up-1024x944.jpg 1024w, https:\/\/www.raytownproductions.com\/blog\/wp-content\/uploads\/2021\/02\/Free-Plugins-Book-Mock-Up-768x708.jpg 768w, https:\/\/www.raytownproductions.com\/blog\/wp-content\/uploads\/2021\/02\/Free-Plugins-Book-Mock-Up-1080x996.jpg 1080w, https:\/\/www.raytownproductions.com\/blog\/wp-content\/uploads\/2021\/02\/Free-Plugins-Book-Mock-Up.jpg 1500w\" sizes=\"(max-width: 610px) 100vw, 610px\" \/>\n\t\t\t\t\t\t<div class=\"et_bloom_form_text\">\n\t\t\t\t\t\t<h2><span style=\"color: #000000;\">Grab All My Favorite FREE Plugins!<br \/><\/span><\/h2><p><span style=\"color: #000000;\">This FREE guide contains everything you need to make PRO sounding music in your home studio.<br \/><br \/><\/span><span style=\"color: #000000;\">\ud83d\udca5 EQs<\/span><br \/>\ud83d\udca5<span style=\"color: #000000;\">\u00a0Compressors<\/span><br \/>\ud83d\udca5<span style=\"color: #000000;\">\u00a0Drum Samples\/Players<\/span><br \/>\ud83d\udca5<span style=\"color: #000000;\">\u00a0Guitar Sims<\/span><br \/>\ud83d\udca5<span style=\"color: #000000;\">\u00a0Impulse Loaders<\/span><br \/>\ud83d\udca5<span style=\"color: #000000;\">\u00a0Clippers\/Limiters<\/span><br \/>\ud83d\udca5<span style=\"color: #000000;\">\u00a0Saturation\/Distortion<br \/>\ud83d\udca5\u00a0Cinematic Effects and Impacts<br \/>\ud83d\udca5\u00a0AND MORE!<br \/><\/span><\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"et_bloom_form_content et_bloom_1_field et_bloom_bottom_inline\">\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t<form method=\"post\" class=\"clearfix\">\n\t\t\t\t\t\t<div class=\"et_bloom_fields\">\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<p class=\"et_bloom_popup_input et_bloom_subscribe_email\">\n\t\t\t\t\t\t\t\t<input placeholder=\"Email\">\n\t\t\t\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<button data-optin_id=\"optin_10\" data-service=\"mailerlite\" data-list_id=\"104749213\" data-page_id=\"27920\" data-account=\"bobby@raytownproductionscom\" data-ip_address=\"true\" class=\"et_bloom_submit_subscription\">\n\t\t\t\t\t\t\t\t<span class=\"et_bloom_subscribe_loader\"><\/span>\n\t\t\t\t\t\t\t\t<span class=\"et_bloom_button_text et_bloom_button_text_color_light\">GET FREE GUIDE!<\/span>\n\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/form>\n\t\t\t\t\t<div class=\"et_bloom_success_container\">\n\t\t\t\t\t\t<span class=\"et_bloom_success_checkmark\"><\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<h2 class=\"et_bloom_success_message\">You are all set! \u2705 Check your email and spam folder for the confirmation email containing your download link for the plugin guide!<\/h2>\n\t\t\t\t\t<div class=\"et_bloom_form_footer\"><p>Don't worry - I will only send you information about how to make your music sound amazing. I take this stuff seriously and will NEVER sell your info. You have my word \ud83d\udc4d<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t<span class=\"et_bloom_close_button\"><\/span>\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n<h2>There are basically three benefits to recording at higher sample rates.<\/h2>\n<ul>\n<li>We can capture higher frequencies above human hearing<\/li>\n<li>We can improve our amplitude resolution &#8211; which isn\u2019t as cool as it sounds<\/li>\n<li>Higher quality editing capability, and this one is more important than you might think\u2026.<\/li>\n<\/ul>\n<h2>Higher Sample Rate Benefit #1: Can capture higher frequencies<\/h2>\n<p>Higher sample rates allows us to capture higher frequency data above 22.05 kHz. In fact, if we sample at 96 kHz, we can reproduce audio signals as high as 48 kHz, <strong>which is more than twice as high as humans can hear.<\/strong> But animals like dogs, cats, and bats can certainly hear those frequencies! So if you plan to make music for bats, then this is a necessity!<\/p>\n<p><em><strong>But at 44.1 kHz, we already can perfectly record beyond what any human can hear up to 22.05 khz.<\/strong> <\/em><\/p>\n<p>So is there any reason WHY we might want to record with sample rates higher than the audio standard 44.1 kHz? Let\u2019s talk about this because there is more to it than meets the eye&#8230;<\/p>\n<p>Now, something interesting happens when using a 44 kHz sampling rate to record audio that beyond 22.05 kHz. Instead of only having one way of connecting the data points, there can actually be more than one &#8220;correct&#8221; solution for how to fit the samples. This causes some pretty nasty sounding artifacts that we do not want in our music &#8211; and you probably have heard this term before. <strong>It\u2019s called aliasing.<\/strong><\/p>\n<p>Much like how you might have multiple aliases online (Facebook, Instagram, Tik Tok), the audio signal can now also have multiple aliases. And each of these \u201caliases\u201d are mathematically indistinguishable from the original audio that we recorded.<\/p>\n<h2>What Does Aliasing Sound Like?<\/h2>\n<p>So what does it sound like? It sounds like strange, harsh and brittle tones that are added to our audio signal. Here is an example:<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-27920-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.raytownproductions.com\/blog\/wp-content\/uploads\/2022\/03\/Aliased-Audio-Raytown-Productions.mp3?_=1\" \/><a href=\"https:\/\/www.raytownproductions.com\/blog\/wp-content\/uploads\/2022\/03\/Aliased-Audio-Raytown-Productions.mp3\">https:\/\/www.raytownproductions.com\/blog\/wp-content\/uploads\/2022\/03\/Aliased-Audio-Raytown-Productions.mp3<\/a><\/audio>\n<p>This audio sample was created by lowering the sampling rate from 44.1 kHz to 2 kHz sample rate. All frequencies above 2X the sampling rate get &#8220;folded back down&#8221; into the audio instead of being filtered away causing these unwanted artifacts that frankly sound pretty terrible!<\/p>\n<p>But when we play digital audio back from our DAW it has to be converted from digital back to analog, so the speakers can understand what to play. To do this, we use a <strong>digital to analog converter or DAC<\/strong>. These converters have an anti-aliasing filter which essentially is just a low pass filter to remove all the frequencies that might alias back down into our music and cause those unwanted inharmonic artifacts.<\/p>\n<h2>How do we avoid aliasing?<\/h2>\n<p>Early on, the best strategy for minimizing aliasing was to record at higher sample rates. This moved the potential for aliasing much higher in the audio frequency range. If aliasing occurs once we have frequencies that exceed half of our sample rate, we have more room to filter out these aliasing artifacts as we increase our sampling rates.<\/p>\n<p>For example, if we record at 96 kHz, we can generate frequencies up to 48khz &#8211; about three times the highest frequencies that humans can hear before any aliasing begins. AND when it does begin to alias, it has much farther to go before it gets into our hearing range compared to lower sampling rates.<\/p>\n<h2>Benefits of Higher Sample Rate Audio<\/h2>\n<p>One benefit of working at higher sample rates is that we can improve our amplitude resolution and more closely measure where the peak heights are in our music.<\/p>\n<p>This is exactly what true peak metering does &#8211; it oversamples the audio to more closely detect where the actual peak height IS when it gets converted from digital to analog. This is because when we fit all the digital samples together into a waveform, our peak can sometimes be above the amplitude of the sample itself and occur in between the samples. And you might have heard of this before &#8211; this in between or INTER sample peak can be more accurately measured at higher sample rates. Many limiters and meters offer a true peak detection which essentially just upsamples our music under the hood to more closely measure the peak amplitude. These ISPs aren\u2019t really anything to lose sleep over and I find that they are pretty hard to hear. In my experience, being able to more carefully measure intersample peaks didn\u2019t really lead to an improvement in audio quality. <strong>So in this regard the increased sample rate doesn\u2019t really improve the quality of our music.<\/strong><\/p>\n<p>Another benefit, <strong>and one that I was really surprised about<\/strong>, was the improvement to audio editing and time stretching. Higher sample rates can make a noticeable improvement in this regard (see the video below for examples).<\/p>\n<p>Most of the time, people use time stretching to make all of the elements of a song perfectly in time with each other. But from my experience, this usually causes audible artifacts to be added to the audio. In some circumstances, these artifacts can take away from the listening experience and degrade the audio quality more than if the mistake was just kept.<\/p>\n<p>Unfortunately, some genres have a track record of overly tight and perfect sounding edits (pop, rock and metal come to mind).<\/p>\n<p>Now, I was very skeptical about higher sample rates and the improvement to timestretching quality, <strong>but I was very wrong<\/strong>.<\/p>\n<p>I did a <strong>blind shootout<\/strong> between a guitar recording that was timestretched at 96 kHz and 44.1 kHz using the MPEX complex algorithm in Cubase 11 (because it sounded extremely natural to me) and I was able to pick out the 44.1 time stretched audio 7\/7 times with 100% success because of the obvious decrease in audio quality from timestretching at lower sample rates. This was enough for me to know that you can in fact hear a difference and timestretching at higher sample rates results in a better, cleaner, and more transient rich sound.<\/p>\n<h2>What about the downsides to recording music at higher sample rates?<\/h2>\n<p>Well, the biggest problem is the increased CPU load on our computers. If you are working with large sessions (which I tend to mix songs with 100+ tracks), it can be very hard to play back the audio without it skipping or glitching. And if my session is doing that, it makes it close to impossible for me to produce a high-quality mix or master for the bands and artists I work with and that is the most important thing for me. So, for really large sessions recorded at 96 khz, I\u2019ll downsample the files to 48 kHz to make them playback nicely if adjusting my buffer settings isn\u2019t enough to keep the playback smooth.<\/p>\n<p>Something else worth mentioning here that I will go deeper into down the road, is that the frequency resolution of our meters and spectral analyzers will all be reduced as we need to collect more samples of audio now at these higher sample rates. I\u2019ll discuss that more in another video.<\/p>\n<p>Finally, the last downside is that higher sample rates produce files that are significantly larger than lower sample rate files.<\/p>\n<p>Going from 48 khz to 96 khz will double your file size. But with file storage getting cheaper and cheaper, this is becoming less of a problem for many people.<\/p>\n<h2>Main Conclusions<\/h2>\n<p>So, to quickly recap, there are some advantages to recording at higher sample rates, but most of the advantages can be solved other ways while also reducing our CPU load. For example, reduction of aliasing can be achieved using plugins that oversample audio vs running an entire session at 2X or 4X the standard sample rate of 44 or 48 khz.<\/p>\n<p>Improving amplitude resolution at higher sample rates is also typically handled by using meters and spectral analyzers that offer oversampling or \u201ctrue peak\u201d metering. Again, this gives us the benefit of improved amplitude resolution without needing to run our sessions at higher sample rates and thus allowing much smoother workflows and less cpu usage.<\/p>\n<p>Finally, a drastic improvement to the quality of the audio is made when you perform time stretching or edit audio. There is a significant reduction of extremal artifacts)<\/p>\n<p>Now, is recording at 96 khz vs 44 what separate pro sounding music from home studio recordings? No, not at all. The sample rate differences are such a small part of the overall picture that goes into making a great sounding song. I would be willing to say that almost every other decision when it comes to recording and mixing like picking the right microphone to use, setting the right attack and release times on your compressors, taking the time to find the best mic position, having fresh strings on your guitar or new drum heads on your drums, and making sure all the instruments are in TUNE will make a much bigger impact to the end result of your music than recording at a higher sample rate.<\/p>\n<p>In my opinion, <strong>the only significant benefit to higher sample rates is the benefit gained when time stretching and editing your songs<\/strong>. So if you plan to do that, you might want to consider recording at higher sample rates, perform your edits, then downsample to a more reasonable sample rate that doesn\u2019t eat up all your CPU.<\/p>\n<p><strong>And if you are looking for a really good sample rate converter to use exactly for this kind of thing, I have a great one in my favorite free plugin guide, so be sure to grab that before you leave today.<\/strong><\/p>\n<\/a> Download My Favorite Free Plugins Guide: \n<p>If you want to go deeper into this topic, I go over all this and some extra examples in the video below! I&#8217;ve included timestamps you can use to jump to the most important parts.<\/p>\n<p>\u231aTIMESTAMPS\u231a<br \/>\n00:00 &#8211; Intro<br \/>\n00:51 &#8211; Download My Favorite FREE Plugins Guide!<br \/>\n01:33 &#8211; What Is Sample Rate?<br \/>\n04:04 &#8211; There are 3 advantages for recording at 96 kHz sample rate<br \/>\n05:57 &#8211; The Shannon-Nyquist Theorem<br \/>\n06:23 &#8211; WTF Is Aliasing and What Does It Sound Like?<br \/>\n07:14 &#8211; How to Minimize Aliasing?<br \/>\n08:58 &#8211; How to Minimize Aliasing at 44 and 48 kHz Sessions<br \/>\n10:12 &#8211; Sampling Rates and Amplitude Resolution<br \/>\n10:58 &#8211; True Peak Metering<br \/>\n11:21 &#8211; What Are Intersample Peaks (ISP)?<br \/>\n13:00 &#8211; When Higher Sample Rates Make A Difference<br \/>\n15:14 &#8211; Do This If You Plan To Do Lots of Edits!<br \/>\n15:41 &#8211; Results of My Blind Shootouts<br \/>\n16:54 &#8211; Hear the Difference Between the Time Stretching Algorithms<br \/>\n21:37 &#8211; Summary of Main Points<br \/>\n24:10 &#8211; What Separates a PRO Recording from an Amateur<br \/>\n25:11 &#8211; Download My Favorite FREE Plugins Guide \ud83c\udf81<\/p>\n<p><iframe loading=\"lazy\" title=\"96 kHz vs 48 kHz vs 44 kHz - What&#039;s (really) the Best Sample Rate for Audio? [2023]\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/g0BpVO16dbI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/p>\n<div class=\"et_pb_module et_pb_text et_pb_text_6 et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<p style=\"text-align: center;\"><i>Like this video?<\/i><\/p>\n<\/div>\n<\/div>\n<div class=\"et_pb_module et_pb_text et_pb_text_7 et_pb_text_align_left et_pb_bg_layout_light\">\n<div class=\"et_pb_text_inner\">\n<h1 style=\"text-align: center;\">\ud83d\udc47\ud83d\udc47\ud83d\udc47<\/h1>\n<\/div>\n<\/div>\n<div class=\"et_pb_button_module_wrapper et_pb_button_0_wrapper et_pb_button_alignment_center et_pb_module \" style=\"text-align: center;\"><a class=\"et_pb_button et_pb_button_0 et_pb_bg_layout_dark\" href=\"https:\/\/www.youtube.com\/c\/raytownproductions?sub_confirmation=1\" target=\"_blank\" rel=\"noopener\">Subscribe to Our YouTube Channel!<\/a><\/div>\n<div><\/div>\n<p>&nbsp;<\/p>\n<p>\ud83d\udca5COURSES\ud83d\udca5<br \/>\n\ud83c\udf93Complete Home Studio Mastering (\ud83d\udcb210% OFF!): <a href=\"https:\/\/bit.ly\/3q5HGZr\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">bit.ly\/3q5HGZr<\/a><br \/>\n\ud83c\udf93Edit Vocals\/Guitars\/Drums\/Bass Like a Pro: <a href=\"https:\/\/bit.ly\/3vQ4dg4\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">bit.ly\/3vQ4dg4<\/a><\/p>\n<p>\ud83d\udca5GEAR\ud83d\udca5<br \/>\n\ud83d\udcf9Canon 77d: <a href=\"https:\/\/amzn.to\/2BmN6sq\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">amzn.to\/2BmN6sq<\/a><br \/>\n\ud83d\udcf7Sigma 18-35 mm Lens: <a href=\"https:\/\/amzn.to\/2CY53hY\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">amzn.to\/2CY53hY<\/a><br \/>\n\ud83c\udf99Shure Beta 57 Microphone (Video): <a href=\"https:\/\/amzn.to\/3prXseo\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">amzn.to\/3prXseo<\/a><br \/>\n\ud83c\udf9b RME Babyface Pro FS (Interface): <a href=\"https:\/\/amzn.to\/3hoBtTy\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">amzn.to\/3hoBtTy<\/a><br \/>\n\ud83d\udddcBoom Stand for Mic: <a href=\"https:\/\/amzn.to\/2YYjn0O\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">amzn.to\/2YYjn0O<\/a><br \/>\n\ud83d\udca1Ring Light: <a href=\"https:\/\/amzn.to\/2Yj6qzB\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">amzn.to\/2Yj6qzB<\/a><\/p>\n<p>\ud83d\udca5SOCIAL\ud83d\udca5<br \/>\n\ud83d\udcf9 Twitch (Watch LIVE!): <a href=\"https:\/\/twitch.tv\/raytownproductions\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">twitch.tv\/raytownproductions<\/a><br \/>\n\ud83d\udd17 Facebook: <a href=\"https:\/\/facebook.com\/raytownproductions\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">facebook.com\/raytownproductions<\/a><br \/>\n\ud83d\udcf7 Instagram: <a href=\"https:\/\/instagram.com\/raytownproductions\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">instagram.com\/raytownproductions<\/a><\/p>\n<p>\ud83d\udca5CONNECT\ud83d\udca5<br \/>\n\ud83d\udc4b Private Community: <a href=\"https:\/\/bit.ly\/hsftgroup\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">bit.ly\/hsftgroup<\/a><br \/>\n\u2b50 Blog: <a href=\"https:\/\/www.raytownproductions.com\/blog\" class=\"autohyperlink\" target=\"_blank\">www.raytownproductions.com\/blog<\/a><br \/>\n\ud83d\udce7 E-mail: <a href=\"mailto:bobby@raytownproductions.com\" class=\"autohyperlink\">bobby@raytownproductions.com<\/a><br \/>\n\ud83d\udc99 Website: <a href=\"https:\/\/www.raytownproductions.com\" class=\"autohyperlink\" target=\"_blank\">www.raytownproductions.com<\/a><\/p>\n<p>\ud83d\udca5LET&#8217;S WORK TOGETHER\ud83d\udca5<br \/>\nGet a customized mixing and mastering package for your music!<br \/>\n\ud83d\udd0a <a href=\"https:\/\/bit.ly\/2y1T78h\" class=\"autohyperlink\" target=\"_blank\" rel=\"noopener\">bit.ly\/2y1T78h<\/a><\/p>\n<p>Please help support this channel! Some of the links below are affiliate links which doesn&#8217;t cost you anything extra. At the same time, I also receive a small tip from each sale (basically like buying me a cup of coffee \u2615 for helping you out with these high-quality videos).<\/p>\n<p>It&#8217;s a win win, and I very much appreciate it \ud83d\ude00<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Learn when 96 kHz sample rate will ACTUALLY make your music sound better! This video is the holy grail for EVERYTHING you need to know about sample rates and making music.<br \/>\nI go DEEP into the details to clear up a lot of misconceptions, marketing BS, and misunderstandings about digital audio and shows you the cold hard facts (with examples!) so you can make the best sounding music possible.<\/p>\n","protected":false},"author":1,"featured_media":28293,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"footnotes":""},"categories":[7],"tags":[232,231],"class_list":["post-27920","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tutorials","tag-best-sample-rate","tag-sample-rate","et-has-post-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/posts\/27920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/comments?post=27920"}],"version-history":[{"count":11,"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/posts\/27920\/revisions"}],"predecessor-version":[{"id":28593,"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/posts\/27920\/revisions\/28593"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/media\/28293"}],"wp:attachment":[{"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/media?parent=27920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/categories?post=27920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.raytownproductions.com\/blog\/wp-json\/wp\/v2\/tags?post=27920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}